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April 9, 2019

John W. Engeman Theater 2019-20 Season - ECC - Dancers
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Region: Eastern

Seeking:“Saturday Night Fever” The following roles and Understudies will be cast from the Ensemble: Frank Manero, Flo Manero, Frank Jr., Linda Manero, Maria, Cesar, Doreen,Mt Fusco, Candy, Pauline. ---------------- “Sunset Boulevard” The following roles and Understudies will be cast from the Ensemble: Sheldrake, Manfred, Starlets, Technicians. ---------------- “Matilda, The Musical” The following roles and Understudies will be cast from the Ensemble: Henchman And Henchwoman, The Acrobat, Teacher, Party Entertainer, Bruce, Lavender, Amanda, Nigel, Eric, Alice, Hortensia, Tommy. ----------------- “Sister Act, The Musical” The following roles and Understudies will be cast from the Ensemble: Nuns, Bar Patron, Waitress, Pool Player, Drag Queen, Homeless People, Fancy Dancers. ---------------- “Anything Goes” The following roles and Understudies will be cast from the Ensemble: Mrs. Wentworth, Ship  Drunk, Angels, Sailors, Ritz Quartte, Reporters, Passengers, Mrs. Frick, Mr. Swift, Ling And Ching, Bishop Dodson, G-Men.


Pittsburgh Public Theatre 2019-20 Season - EPA - Actors
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Region: Eastern

Seeking:Equity Actors and Actor/Singers: 18+, for all roles in the 2019-2020 season. Performers of all cultural, racial, and gender identities and all abilities are encouraged to attend. Understudies will not be used.


'Once On This Island,' SETA Tour - ECC - Dancers
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Region: Eastern

Seeking:Male Storyteller/Armand: Male, 40-59, Featured in the ensemble with many step-out moments and solo lines. Plays ARMAND (The ancestor) and MONSIEUR BEAUXHOMME (Daniel’s stern father. Reminds Daniel of the harsh realities of life. Not deliberately cruel, but determined. Represents the heart of aristocratic society). Understudies the principal roles of TONTON JULIAN (Ti Moune’s adoptive father. “Tonton” affectionate term for “Uncle.” Described as an “old peasant.” He teaches Ti Moune that love has no limits, and he goes to great lengths to support her wishes. Caring, loving, and practical) and AGWE (God of Water. A mentor to Ti Moune. Larger than life, mysterious. Perhaps the peasants' greatest fear next to Papa Ge himself. Commanding voice and presence). Strong bass/baritone. Strong musician skills. Strong dancer. ENSEMBLE Male Storyteller 1: Male, 20-49, Featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of PAPA GE (God of Death. Antagonist to the other gods. Sly, cunning, manipulative, seductive, cynical, and teasing, he is feared by the people because of what he represents: the unknown that is death. The other main instigator of the drama). Strong tenor. Strong musician skills. Strong dancer. ENSEMBLE Male Storyteller 2: Male, 20-39, Featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of DANIEL (Ti Moune's love interest. A handsome, aristocratic young man who struggles with crossing social barriers. Sensitive and poetic). Strong tenor or baritenor. Strong musician skills. Strong dancer. ENSEMBLE Female Storyteller/Andrea: Female, 20-29, Featured in the A beautifully spirited peasant girl, full of restless energy and optimism. The heroine. Tries to break social barriers to be with her love, Daniel). Strong mezzo. Strong musician skills. Strong dancer. ENSEMBLE Female Storyteller 1: Female, 20-39, Featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of ERZULIE (Goddess of Love. A mentor to Ti Moune and foil to Papa Ge. The most approachable of the gods, but ultimately no less egocentric. One of the main instigators of the events of the story, she is looked upon fondly by the people. Set out to prove that love is stronger than the fear of death—by love, she means the power of the human heart) and the ensemble specialty of ANDREA (Daniel’s betrothed. An attractive, elegant, and refined young woman. She seems cold at first but turns out to be both humane and determined. She pities Ti Moune, but despite having little affection for Daniel, she will not allow sentiment to interfere with her well-ordered plan for marriage and the aristocratic ways). Strong soprano. Strong musician skills. Strong dancer. ENSEMBLE Female Storyteller 2: Female, 30-49, out to prove that love is stronger than the fear of death—by love, she means the power of the human heart). Strong mezzo. Strong musician skills. Strong dancer. ENSEMBLE Male Swing: Male, 20-29, understudies Storytellers and the principal role of DANIEL (Ti Moune's love interest. A handsome, aristocratic young man who struggles with crossing social barriers. Sensitive and poetic). Strong tenor. Strong musician skills. Strong dancer. ENSEMBLE Male Swing 2: Male, 30-49, Understudies STORYTELLERS and the principal roles of TONTON JULIAN (Ti Moune’s adoptive father. “Tonton” is a French affectionate term for “Uncle.” Described as an “old peasant.” He teaches Ti Moune that love has no limits, and he goes to great lengths to support her wishes. Caring, loving, and practical), AGWE (God of Water. A mentor to Ti Moune. Larger than life, mysterious. Perhaps the peasants' greatest fear next to Papa Ge himself. Commanding voice and presence), and PAPA GE (God of Death. Antagonist to the other gods. Sly, cunning, manipulative, seductive, cynical, and teasing, he is feared by the people because of what he represents: the unknown that is death. The other main instigator of the drama). Strong baritenor or tenor. Strong musician skills. Strong dancer. ENSEMBLE Female Swing 1: Female, 20-29, Understudies Storytellers and the principal roles of TI MOUNE (A beautifully spirited peasant girl, full of restless energy and optimism. The heroine. Tries to break social barriers to be with her love, Daniel) and ASAKA (Mother of the Earth. A mentor to Ti Moune. Personifies the peasants’ connection to the land. She is generous and good-humored on the surface, but like all the gods feared by the islanders; her “motherly” facade is not to be trusted. She is powerful, funny, and ironic). Strong mezzo. Strong musician skills. Strong dancer. ENSEMBLE Female Swing 2: Female, 30-49, Understudies Storytellers and the principal roles of MAMA EURALIE (Ti Moune’s adoptive mother. Described as an “old peasant.” Caring, over-protective, superstitious, fiercely loving, and strong-willed, her similarities often lead to clashes with Ti Moune) and ASAKA (Mother of the Earth. A mentor to Ti Moune. Personifies the peasants’ connection to the land. She is generous and good-humored on the surface, but like all the gods feared by the islanders; her “motherly” facade is not to be trusted. She is powerful, funny, and ironic). Strong soprano with belt. Strong musician skills. Strong dancer. ENSEMBLE


Jesus Christ Superstar - EPA - Singers
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Region: Eastern

Seeking:Jesus: Male, 20-39, rock tenor; chest voice B2-Ab4, powerful falsetto/scream up to G5. This role demands a well-rounded baritone voice that also has a super extended upper register- virtuosity coupled with sensitive musicianship a must. Think James Taylor meets Steve Tyler. A true “rock star”, comfortable addressing a group of 12 or an arena of 12,000. This role does not dance, but must be comfortable moving. Note if actor can play acoustic guitar as it is preferred for the role. Judas: Male, 18-39, rock/soul tenor; E3-D4 (+). This role requires an agile and sensitive voice with access to extremely high registers across a full dynamic range. Stylistically drawing a great deal from soul music, useful reference points would be Stevie Wonder/Murray Head. He is the antagonist of the show, concerned that fame is getting in the way of the message of social justice. Someone who can tell a story through a melody, with exquisite diction and intonation. This role does not dance but must be comfortable moving. Mary: Female, 18-39, belt mezzo; G#3-C5; former prostitute, now follower of Jesus, grappling with her feelings and her faith. Seeking singers who can communicate her solo as more than just a simple love song. This role does not dance but must be comfortable moving. Drawing its influence from early 70s pop, this role requires musical simplicity & excellent phrasing. Think Joni Mitchell/Carol King. (No riffing required). Pilate: 30-49, baritone or baritenor; A2-Bb4; a strong baritone with extended high register. Think Bob Dylan, Paul McCartney, Robert Plant. A diverse musical journey through both acts requires a singer of great stillness, yet with the ability to tear the roof off in the final bars. Guitar skills preferred. Annas: Male, 30-49, funky high rock/soul tenor, with a great flair for swing & groove. Shrill, tightly wound, sadistic high priest; strong mover; E3-D5. Caiaphas: Male, 30-49, a strong bass with a baritone range. Must have great feel for groove & an astonishing musical presence. Should look and act very cool; strong mover; low bass, C#2-F4.


As You Like It - EPA - Actors
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Region: Eastern

Seeking:Rosalind: Female, 25-35, tall; the daughter of Duke Senior; she is independent minded, strong-willed, good-hearted, and terribly clever; love interest to Orlando; humor; good with language. Orlando: Male, 30-40, tall and attractive; brave; love interest of Rosalind; son of a nobleman; although he lacks a gentleman's education or training, he believes in his own potential; victorious in battle; compassionate and caring; rescues his brother from death despite his brother’s contempt for him; good with language. Jacques: Male, 45-65, a loyal and faithful lord of Duke Senior; accompanies him into exile; he has a hopeless and melancholy disposition, watching the action from the sidelines; judging and commenting with comic effect; excellent language and comic skills. Touchstone: Male, 35-45, a clown in Duke Fredrick's court who accompanies Rosalind and Celia in their flight; he is a master of Bawdy innuendo; hopelessly vulgar in contrast to the grace of Rosalind; excellent language and comedy skills. Duke Frederick And Duke Senior: Male, 55-65, Senior: Father of Rosalind and rightful ruler of the dukedom, living now in exile; a kind and fair minded ruler; content and making the best of his life in the forest. Celia: Female, 20-25, the daughter of Duke Frederick and Rosalind's dearest friend; attractive. A loving heart, deeply emotional; disguises herself as a shepherdess and accompanies her cousin into exile; an act of unparalleled devotion; excellent language skills. Frederick: 18+, brother of Duke Senior and usurper of his throne; a cruel nature and a violent temper; experiences a reckoning and then redemption.


Aladdin - EPA - Singers
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Region: Eastern

Seeking:Aladdin: Male, 18-29, clever, resourceful street urchin with a heart of gold; best friends with Babkak, Omar and Kassim; seeks a life beyond the confines of poverty. Soaring bark-tenor voice (Bb2-A4). Principal role. Jasmine: Female, 18-29, intelligent young princess with insight beyond her years and station; seeks a life beyond the confines of privilege. Strong mix, and strong belt to E. Ability to float in the upper mix into soprano (up to F5) and project in lowest register (down to A3). Principal role. Genie: 30-49, quick-witted, fast-talking, ancient genie who knows all time and place; an old-school song-and-dance man. Cab Calloway, Fats Waller type, able to sing jazz. Strong presence in lower range, D5 in strong falsetto, A4 in chest voice. Principal role. Babkak: 18-29, chubby, funny, romantic desert dweller, part of Aladdin’s band; the “Crosby” of this Arabian “Road” picture, although perhaps with a bit more flair. Power tenor. (Up to rock solid high C). Principal role. Omar: 18-29, nervous, thin, reedy desert dweller, part of Aladdin’s band; the “Lamour.” Bari-tenor, up to A4. Needs good ear for harmony and ability to blend. Principal role. Kassim: 18-35, tough and street smart, desert dweller, part of Aladdin’s band. Strong, smart and bold leader of Aladdin’s group. Very strong baritone, hold harmony well. (from A2 up to G4). Sultan: 50-59, kind-hearted, widowed ruler of Agrabah; gets so caught up in following the law and tradition that he overlooks his daughter Jasmine’s desires and gets swindled by his own vizier. (Baritone up to E4 though sings very little in the show). Principal role. Jafar: 50-59, the royal vizier. Amoral psychopath who’ll not hesitate to destroy anyone he perceives as a threat to his own sinister designs. Good comedic ability and strong evil laugh. Bass, Bass-bari, can be in style of Cyril Ritchard “speak – sing”. (G2-Eb4). Principal role. Iago: 40-49, Jafar’s short comedic sidekick. Grovels at Jafar’s feet and has difficulty controlling his temper. Strong tenor or Bari-tenor up to A4. Principal role.


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