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January 7, 2019

Oklahoma - EPA - Singers
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Region: Eastern

Seeking:Curly: Male, 18 to 30. Any ethnicity. Optimistic, not complex, charismatic, and open. Baritone or tenor. Character must play guitar. Laurey: Female, 18 to 30. African American/Latina/Asian American/Middle Eastern American/Native American. Emotionally available. Confused about who she is but knows she wants more. Comfort with American vernacular vocal styles (folk, gospel, country, jazz) welcomed. Style more important than specific vocal range. Jud Fry: Male, 18 to 30. Any ethnicity. An outsider in the community. Complex and sensitive. Has a darkness to him. Honest and insightful. Baritone. Aunt Eller: Female, 40 to 65. Any ethnicity. Salt of the earth. Strong, clear, and brutally honest. Mezzo. Ado Annie: Female, over 18 to play between 14 and 25. Any ethnicity. Sincere. Guileless. Has a great sense of humor. Hungry for life. Comfort with American folk and country vocal styles encouraged. Style more important than specific vocal range. Ali Hakim: Male, 20 to 40. Any ethnicity. Smart. Opportunistic. A salesman. Great sense of humor. Comfort with American folk and country vocal styles encouraged. Style more important than specific vocal range. Will Parker: Male, 18 to 30. Any ethnicity. Simple-minded. Sincere. Guileless. Good sense of humor. Moves well. Tenor. Comfort with American folk and country vocal styles encouraged. Gertie Cummings: Female, 18 to 30. Any ethnicity. Driven, competitive, and slightly conniving, but always seemingly positive. She kills with kindness. Moves well. Soprano or mezzo.


Little Women - EPA - Actors
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Region: Eastern

Seeking:Jo March: Female, 25-39, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; open but not limited to, non-binary, gender queer, trans and cis-gendered performers; the second-to-oldest March; does not fit comfortably within the given parameters of her given gender role; a deep fire within her; extremely ambitious and frustrated by the distance between where she is, and where she wants to be; impatient; wants to change the world; very smart and knows it; a mix of insecurity and aspiration; boyish and rough-and-tumble; sometimes antagonistic; not the most tolerant of differing viewpoints; can be quite awkward or abrupt; bad temper when riled; a great sense of humor; passionate; ahead of her time; a warrior; has a special relationship with Beth. Beth March: Female, 20-25, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; the third March; very sweet and paralytically shy; had to be removed from school because of her paralyzing social anxieties; agoraphobic; an extremely special person; almost incapable of going out in the world; sheltered by her family; loves deeply and has deep empathy for everyone; loves the simple things in life, so much that it hurts; sees much more than anyone realizes; brave and sensitive; quick to forgive and heal wounds; an observer; possibly on the autism spectrum; seeking an actor who sings well. Amy MArch: Female, 20-25, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; the youngest March; opinionated and spunky; popular and quite focused on style; not the most tolerant of differing viewpoints; socially intelligent; sometimes puts on airs; perhaps a bit spoiled; a perfect little lady, except for her temper, and her not-so-great command of "vocabulary,"; grows up to be quite beautiful and elegant; madly in love with Laurie, around whom she is never cool; any ethnicity; actors of all races and ethnicities are sought and strongly encouraged. Marmie: Female, 45+, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; the matriarch of the March family; a social revolutionary; ahead of her time; good sense of humor; a warrior; keeps the family together; tough; strong; intelligent; doubles with Aunt March (70+), the most unpleasant old woman imaginable; has lots of money; privileged; strong political and personal opinions, which people endure; has an intermittently hacking, disgusting cough; judgmental. Hannah.Mrs. Mingott Messenger: Female, 50+, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; Hannah: the March's longtime housekeeper, cook, and defacto babysitter; a treasure; a terror; a traditionalist; takes no nonsense; matter-of-fact; she's the boss of that kitchen, for sure. Mrs. Mingott: a very rich, stylish woman; Vanderbilt-esque, condescending, not terribly pleasant; fancies herself charitable. Theodore "Laurie" Laurence: Male, 25-39, actors of all races and ethnicities are sought and strongly encouraged; a sweet and handsome young man; sensitive; funny, charming, and caring; in his fantasies, he’s a white knight: riding in to rescue damsels in distress; a natural musician; wealthy thanks to his inheritance; generous, does not have to think about money; does not always fit comfortably within the given parameters of his given gender role; he doesn't want to grow up to be a soldier or tedious man of business; finds a family in the Marches; any ethnicity. John Brooks/Parrot: Male, 30-49, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; John Brooks: Laurie's sometimes stiff and awkward tutor; a rule-follower; a poor man; well educated; has a very noticeable limp - probably served in the war and was sent home, although may have been disqualified from service altogether; feels deeply; quite madly in love with Meg; doubles with Parrot; Aunt March’s parrot: pure evil; a musty, disgusting bird; probably an actual demon in parrot form; may also double with Mr. Dashwood (*will either double with John Brooks or Mr. Laurence track*): a publisher of cheap newspapers and novels; a businessman, working in a man’s world; fancies himself a realist; not a nice guy; fancies himself a nice guy. Mr. Laurence/Robert March: Male, 50+, any ethnicity; actors of all races and ethnicities are sought and strongly encouraged; Mr. Laurence: Laurie’s grandfather, responsible for Laurie’s upbringing; a wealthy man; a gentleman in the strictest sense; not comfortable with emotional language; bad at expressing himself; has a rigid sense of what is appropriate behavior, especially for a man; tends towards gruffness or temper; probably quite unintentionally frightening; deeply regretful of incidents in his past, but unable to express it; doubles with Robert March: father to the March girls; never speaks, but his presence looms large; is wounded in the war; never quite recovers; a significant limp; struggles with his injuries, both emotional and physical; may also double with: Mr. Dashwood: Male, 18+, will either double with John Brooks or Mr. Laurence track; a publisher of cheap newspapers and novels; a businessman, working in a man’s world; fancies himself a realist; not a nice guy; fancies himself a nice guy; any ethnicity.


Barter Theatre 2019 Season - EPA - Actors, Singers
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Region: Eastern

Seeking:[GUENEVERE in CAMELOT] Black/African American, Hispanic, Asian or Caucasian female. Mid 20s – early 30s. Soprano. Charismatic. Beautiful. Spontaneous. Spunky. She wants to change the world. Spirited young woman soon to be queen via an arranged marriage to King Arthur. A romantic, she’s at first rebellious against the arrangement to wed a man she’s never met. Soon after meeting and wedding Arthur she falls in love with him and his righteous and imaginative intellect. But her heart and allegiance is suddenly thrown with the arrival of Lancelot. Vocal range top: A5, bottom: B3… [OLLIE in MORNING AFTER GRACE] Male. African-American and open to all ethnicities. Late 50s - 60s (plays 68) formerly a baseball player for the Detroit Tigers [Male 5'9" to 6' Dancer/Singers] Must be between 5' 9" to 6'. Proficient jazz and tap skills required. Espcially interested in performers who can do full splits, and/or gymnastic skills. NOTE: A seperate Equity Chorus Call is being held for this track on Tuesday, January 8, 2019 at 2 PM. Ripley-Grier Studios, 520 8th Ave, NYC. [Female 5'5" to 5' 10"' Dancer/Singers] Must be between 5' 5" to 5' 10". Proficient jazz and tap skills required. Espcially interested in performers who can do full splits, and/or gymnastic skills. NOTE: A seperate Equity Chorus Call is being held for this track on Tuesday, January 8, 2019 at 10 AM. Ripley-Grier Studios, 520 8th Ave, NYC. Barter Theatre 2019 Season Rehearsals for most plays begin approximately six – eight weeks before they open. Most Actors tend to participate in two productions during the same repertory. NOTE: Seeking actors for the following productions and roles. For shows/roles that have already been CAST by the theatre’s resident acting company, actors auditioning will also be considered for possible future replacements if needed. The dates following each show are the dates of performance. Rehearsals begin 6-8 weeks before performances. MORNING AFTER GRACE Barter Stage II by Carey Crim Dates: February 8, 2019 to March 31, 2019 SEEKING: OLLIE Male. African-American (but open to any ethnicity). 68 years old. Formerly a baseball player for the Detroit Tigers who now enjoys golf and yoga. Though he’s long past his playing days, and a bit bearish in form, he retains the vague essence of an athlete. Robust, feels younger than he is. Extroverted, warm, and a bit of a gossip… ------------ CAMELOT Gilliam Stage at Barter Theatre Books and Lyrics by Alan Jay Lerner, Music by Frederick Loewe Dates: February 21, 2019 to March 31, 2019 SEEKING: GUINEVERE Black/African American, Hispanic, Asian or Caucasian female. Mid 20s – mid 30s. Soprano. Charismatic. Beautiful. Spontaneous. Spunky. Spirited young woman soon to be queen via an arranged marriage to King Arthur. A romantic, she’s at first rebellious against the arrangement to wed a man she’s never met. Soon after meeting and wedding Arthur she falls in love with him and his righteous and imaginative intellect. But her heart and allegiance is suddenly thrown with the arrival of Lancelot. Vocal range top: A5, bottom: B3. --------------- MADAME BUTTERMILK Gilliam Stage at Barter Theatre Book, Music and Lyrics by Ross Carter Dates: April 5, 2019 to May 11, 2019 All roles for this production have been filled by Barter’s resident acting company. --------------- TWELFTH NIGHT Barter Stage II by William Shakespeare Dates: April 11, 2019 to May 4, 2019 All roles for this production have been filled by Barter’s resident acting company. ---------------- CHURCH BASEMENT LADIES Barter Stage II Written by Jim Stowell and Jessica Zuehlke, Music and Lyrics by Drew Jansen Dates: May 10, 2019 to August 11, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. ----------------- SHREK Gilliam Stage at Barter Theatre Music by Jeanine Tesori, Book and Lyrics by David Lindsay-Abaire Dates: May 17, 2019 to August 10, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. (ensemble parts are still available) -------------- EXIT LAUGHING Gilliam Stage at Barter Theatre By Paul Elliott Dates: May 30, 2019 to August 10, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. -------------- LA CAGE AUX FOLLES Barter Stage II Music and Lyrics by Jerry Herman, Book by Harvey Fierstein Dates: June 6, 2019 to August 10, 2019 (In repertory) All roles of this production have been CAST (ensemble parts are still available) -------------- MAYTAG VIRGIN Barter Stage II By Audrey Cefaly Dates: September 5, 2019 to November 10, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. ----------------- THE PRODUCERS Gilliam Stage at Barter Theatre Book by Mel Brooks and Thomas Meehan, Music & Lyrics by Mel Brooks Dates: September 13, 2019 to November 9, 2019 (In repertory) All roles in this production have been CAST (ensemble parts are still available) ----------------- WAIT UNTIL DARK Gilliam Stage at Barter Theatre By Frederick Knott Adapted by Jeffrey Hatcher Dates: September 26, 2019 to November 9, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. ------------------ THE LOOPHOLE Barter Stage II By Stacey Isom Campbell Dates: September 19, 2019 to November 9, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. ------------------ WHITE CHRISTMAS Gilliam Stage at Barter Theatre Music and Lyrics by IRVING BERLIN, Book by DAVID IVES and PAUL BLAKE Dates: November 15, 2019 to December 29, 2019 All roles in this production have been CAST (ensemble parts are still available) ------------------ JACOB MARLEY’S CHRISTMAS CAROL Barter Stage II By Tom Mula Dates: November 20, 2019 to December 22, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. ------------------ THE SANTALAND DIARIES Barter Stage II by David Sedaris Adapted for the stage by Joe Mantello Dates: November 27, 2019 to December 29, 2019 (In repertory) All roles for this production have been filled by Barter’s resident acting company. ------------------ Abingdon is approximately six hours from Washington, D.C. and ten hours from NYC by auto. The nearest airport is Tri-Cities which is a forty-minute drive from Abingdon. =============== All roles will be understudied


Aida - Non-Union - Singers
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Region: Eastern

Seeking:Ensemble (Chorus / Ensemble): Males & Females, 18-35, versatile dancers (contemporary, lyrical, jazz) with solid singing voices. Mereb (Supporting): Male, 18-26, daring, playful male actor with strong rock voice. Zoser (Supporting): Male, 28-35, strong actor with rock sound; cocky; overpowering; stage presence. Pharaoh (Supporting): Male, 30-40, character actor; rock voice; good mover. Nehebka (Supporting): Female, 18-25, young, charming, innocent, and vulnerable; actress with a lyrical voice. Amonasro (Supporting): Male, 24-34, powerful presence; deep, resonant voice.


Gary: A Sequel To Titus Adronicus - EPA - Actors
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Region: Eastern

Seeking:Gary - Role is Cast: Male, 40+, understudy; 40+, any gender, male presenting. Janice: Female, 50+, understudy; 50+, any ethnicity, female presenting. Carole: Female, 40+, understudy; 40+, any ethnicity, female presenting.


Man of La Mancha - ECC - Singers
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Region: Eastern

Seeking:Male & Female Singers (Chorus / Ensemble): Males & Females, singers for the ensemble. Characters are 30s-40s, any ethnicity. Male & Female Dancers (Chorus / Ensemble): Males & Females, dancers for the ensemble. Characters are 20s-30s, any ethnicity.


Man of La Mancha - ECC - Dancers
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Region: Eastern

Seeking:Male & Female Singers (Chorus / Ensemble): Males & Females, singers for the ensemble. Characters are 30s-40s, any ethnicity. Male & Female Dancers (Chorus / Ensemble): Males & Females, dancers for the ensemble. Characters are 20s-30s, any ethnicity.


Heart of Rock and Roll - ECC - Dancers
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Region: Eastern

Seeking:Male Dancers & Singers (Chorus / Ensemble): Male, 20-59, male ensemble: characters are 20s-50s. Singer-actors with great rock voices. Must be able to dance or move well. May play small featured roles and understudy the principal parts. Female Dancers & Singers (Chorus / Ensemble): Female, 20-59, female ensemble: characters are 20s-50s. Singer-actors with great rock voices. Must be able to dance or move well. May play small featured roles and understudy the principal parts.


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