AUDITION DETAILS
Go

May 3, 2018

Spongebob Squarepants - ECC - Singers
view details

Become a Member!

Region: Eastern

Seeking:Male Ensemble Singers: Male, 20-45, a variety of character types of all shapes and sizes to play several featured ensemble roles in the Bikini Bottom community. Must have excellent comedic timing, extremely strong pop/rock voices and be able to move/tap extremely well. Some ensemble roles will understudy principal roles; ensemble. Female Ensemble Singers: Female, 20-45, a variety of character types of all shapes and sizes to play several featured ensemble roles in the Bikini Bottom community. Must have excellent comedic timing, extremely strong pop/rock voices and be able to move/tap extremely well. Some ensemble roles will understudy principal roles; ensemble. Male Ensemble Dancers: Male, 20-45, a variety of character types of all shapes and sizes to play several featured ensemble roles in the Bikini Bottom community. All must be able to tap very well and/or have hip-hop experience. Must have excellent comedic timing and extremely strong pop/rock or contemporary musical theatre voices. Most ensemble roles will understudy principal roles. Skateboarding, rollerblading, and rollerskating is a big plus for certain tracks; ensemble. Female Ensemble Dancers: Female, 20-45, a variety of character types of all shapes and sizes to play several featured ensemble roles in the Bikini Bottom community. All must be able to tap very well and/or have hip-hop experience. Must have excellent comedic timing and extremely strong pop/rock or contemporary musical theatre voices. Most ensemble roles will understudy principal roles; ensemble.


Hadestown - ECC - Dancers
view details

Become a Member!

Region: Eastern

Seeking:Female Worker (Worker 1): Female, 18+, low alto (G3–C#5). Any age, female, any ethnicity. The workers populate the world above and below ground. Above, they are migrant (agricultural) workers. Below, they are industrial/mine/factory workers. They should be physically strong and great dancers. Male Worker (Worker 2): Male, 18+, tenor (B2–B4). Any age, male, any ethnicity. The workers populate the world above and below ground. Above, they are migrant (agricultural) workers. Below, they are industrial/mine/factory workers. They should be physically strong and great dancers. Male Worker (Worker 3): Male, 18+, tenor/baritone. (G2-G4). Any age, male, any ethnicity. The workers populate the world above and below ground. Above, they are migrant (agricultural) workers. Below, they are industrial/mine/factory workers. They should be physically strong and great dancers. Male Worker (Worker 4): Male, 18+, bass/baritone (C2–G4). Any age, male, any ethnicity. The workers populate the world above and below ground. Above, they are migrant (agricultural) workers. Below, they are industrial/mine/factory workers. They should be physically strong and great dancer.


Once On This Island - ECC - Dancers
view details

Become a Member!

Region: Eastern

Seeking:Male Storyteller/Armand: Male, 40-59 featured in the ensemble with many step-out moments and solo lines. Plays Armand (The ancestor) and Monsieur Beaxhomme (Daniel’s stern father. Reminds Daniel of the harsh realities of life. Not deliberately cruel, but determined. Represents the heart of aristocratic society). Understudies the principal roles of Tonton Julian (Ti Moune’s adoptive father. “Tonton” is a French affectionate term for “Uncle.” Described as an “old peasant.” He teaches Ti Moune that love has no limits, and he goes to great lengths to support her wishes. Caring, loving, and practical) and Agwe (God of Water. A mentor to Ti Moune. Larger than life, mysterious. Perhaps the peasants' greatest fear next to Papa Ge himself. Commanding voice and presence); strong bass/baritone; strong musician skills; strong dancer; ensemble. Male Storyteller 1: Male, 20-49, featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of Papa Ge (God of Death. Antagonist to the other gods. Sly, cunning, manipulative, seductive, cynical, and teasing, he is feared by the people because of what he represents: the unknown that is death. The other main instigator of the drama). Strong tenor. Strong musician skills. Strong dancer; ensemble Male Storyteller 2: Male, 20-39, featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of Daniel (Ti Moune's love interest. A handsome, aristocratic young man who struggles with crossing social barriers. Sensitive and poetic). Strong tenor or baritenor. Strong musician skills. Strong dancer; ensemble. Female Storyteller/Andrea: Female, 20-29, featured in the ensemble with many step-out moments and solo lines. Daniel’s betrothed. An attractive, elegant, and refined young woman. She seems cold at first but turns out to be both humane and determined. She pities Ti Moune, but despite having little affection for Daniel, she will not allow sentiment to interfere with her well-ordered plan for marriage and the aristocratic ways. Also understudies the principal role of Ti Moune (A beautifully spirited peasant girl, full of restless energy and optimism. The heroine. Tries to break social barriers to be with her love, Daniel). Strong mezzo. Strong musician skills. Strong dancer; ensemble. Female Storyteller 1: Female, 20-39, featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of Erzulie (Goddess of Love. A mentor to Ti Moune and foil to Papa Ge. The most approachable of the gods, but ultimately no less egocentric. One of the main instigators of the events of the story, she is looked upon fondly by the people. Set out to prove that love is stronger than the fear of death—by love, she means the power of the human heart) and the ensemble specialty of Andrea (Daniel’s betrothed. An attractive, elegant, and refined young woman. She seems cold at first but turns out to be both humane and determined. She pities Ti Moune, but despite having little affection for Daniel, she will not allow sentiment to interfere with her well-ordered plan for marriage and the aristocratic ways). Strong soprano. Strong musician skills. Strong dancer; ensemble. Female Storyteller 2: Female, 30-49, featured in the ensemble with many step-out moments and solo lines. Understudies the principal roles of Mama Euralie (Ti Moune’s adoptive mother. Described as an “old peasant.” Caring, over-protective, superstitious, fiercely loving, and strong-willed, her similarities often lead to clashes with Ti Moune) and Erzulie (Goddess of Love. A mentor to Ti Moune and foil to Papa Ge. The most approachable of the gods, but ultimately no less egocentric. One of the main instigators of the events of the story, she is looked upon fondly by the people. Set out to prove that love is stronger than the fear of death —by love, she means the power of the human heart). Strong mezzo. Strong musician skills. Strong dancer; ensemble. Male Swing 1: Male, 18-29, understudies Storytellers and the principal role of Daniel (Ti Moune's love interest. A handsome, aristocratic young man who struggles with crossing social barriers. Sensitive and poetic). Strong tenor. Strong musician skills. Strong dancer; ensemble. Male Swing 2: Male, 30-49, understudies Storytellers and the principal roles of Tonton Julian (Ti Moune’s adoptive father. “Tonton” is a French affectionate term for “Uncle.” Described as an “old peasant.” He teaches Ti Moune that love has no limits, and he goes to great lengths to support her wishes. Caring, loving, and practical), Agwe (God of Water. A mentor to Ti Moune. Larger than life, mysterious. Perhaps the peasants' greatest fear next to Papa Ge himself. Commanding voice and presence), and Papa Ge (God of Death. Antagonist to the other gods. Sly, cunning, manipulative, seductive, cynical, and teasing, he is feared by the people because of what he represents: the unknown that is death. The other main instigator of the drama). Strong baritenor or tenor. Strong musician skills. Strong dancer; ensemble. Female Swing 1: Female, 18-29, understudies Storytellers and the principal roles of Ti Moune (A beautifully spirited peasant girl, full of restless energy and optimism. The heroine. Tries to break social barriers to be with her love, Daniel) and Asaka (Mother of the Earth. A mentor to Ti Moune. Personifies the peasants’ connection to the land. She is generous and good-humored on the surface, but like all the gods feared by the islanders; her “motherly” facade is not to be trusted. She is powerful, funny, and ironic). Strong mezzo. Strong musician skills. Strong dancer; ensemble. Female Swing 2: Female, 30-49, understudies Storytellers and the principal roles of Mama Euralie (Ti Moune’s adoptive mother. Described as an “old peasant.” Caring, over-protective, superstitious, fiercely loving, and strong-willed, her similarities often lead to clashes with Ti Moune) and Asaka (Mother of the Earth. A mentor to Ti Moune. Personifies the peasants’ connection to the land. She is generous and good-humored on the surface, but like all the gods feared by the islanders; her “motherly” facade is not to be trusted. She is powerful, funny, and ironic). Strong soprano with belt. Strong musician skills. Strong dancer; ensemble.


© www.stagedoorconnections.com All Rights Reserved 2015