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October 23, 2018

APPOINTMENTS - Sherwood - Actors
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Region: Eastern

Seeking:Robin Hood: Male, late 20s-early 30s; heroic outlaw; smart, but more lucky than savvy; physically athletic; a leading man out of the world of Month Python; actor should have stage combat training and/or a background in dance. British accent required. Friar Tuck: Male, mid-30s-early 40s; the narrator of the play; grounded and witty, could be heavyset; Robin Hood’s jovial companion. British accent required. Maid Marion: Female, late 20s-early 30s; badass ingénue and Robin Hood’s love interest; athletic; actors should have stage combat and/or dance training; also plays: Executioner #1, Heloise, Robin at 12, Robin’s Friend, and Margery. British/a variety of accents required. Deorwynn: Female, late 20s–early 30s; lower class ingénue; physically should be someone who is easy to lift; also plays: Executioner #2, Robin at 8, Alize, and Monk #3. Cockney and a variety of accents required. Little John: Male, late 20s–early 40s; Robin Hood’s chief lieutenant and second-in-command of the Merry Men; physically, there’s nothing “little” about him; well-versed in stage combat; this character does a lot of fighting; also plays: Executioner #3, Master Godwin, Robin Friend #1, Monk #1, and Foreigner #1. British accent required. Sheriff: Male, mid 30s–50s; total bumbler, scaredy cat, outcast, schlubby; actors should have stage combat and/or dance training; also plays: Peasant, Robin Friend #3, Ansgot, Monk 2, and Gaspar. British accent required. Prince John: Male, 50s; arrogant, and maybe a little fey; character actor track; seeking real transformer; also plays: Executioner #4, Midwife, Master Bladen, Much the Miller, Father Goph, and Foreigner #2. British accent required.


MacBeth - EPA - Actors
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Region: Eastern

Seeking:Macbeth: Female, 18+, impetuous, passionate, susceptible to dreams of power and glory, she puts aside all morals in order to fulfill her ambitions. Lady Macbeth: Female, 18+, fiery, nimble and fiercely intelligent; she is a deeply ambitious woman who wants position and power; she falls victim to madness as she cannot handle reality and humanity. Banquo: Female, 18+, Macbeth’s constant and upstanding best friend; she is equally ambitious to Macbeth but does not succumb to the temptations that Macbeth does. Macduff: Female, 18+, the ultimate protagonist, fierce and good hearted; always genuine, and though she is physically imposing, she is easy to empathize with. Witch 1, 2, 3: Female, 18+, superficial and self obsessed without any moral boundaries; they are intimidating and strong, and though they have a fascination of occult, there is nothing gothic about them.


The Great Leap - EPA - Actors
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Region: Eastern

Seeking:Manford: Male, a 17 year old, Chinese American high school student; he is scrappy, intense; he attacks the rim with a ruthless crossover; he is not tall; more of an Allen Iverson than a Jeremy Lin. Connie: Female, 25, Chinese American, Manford's cousin and UC Berkeley grad student; she is level-headed; she sees the big picture; a Chris Paul/Klay Thompson type. Wen Chang: Male, 43, Chinese, coach of Beijing University's men's basketball team; he is observant and efficient; he favors three pointers over aggressive inside shots; Tim Duncan would appreciate his energy. (his English is formal, but relatively unaccented.) ApplySave Draft Saul: Male, 52, Jewish, coach of University of San Francisco's men's basketball team; he is a shit-talking, shot blocking, washed up Larry Bird.


Jesus Christ Superstar - EPA - Singers
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Region: Eastern

Seeking:Jesus: Male, rock tenor; 20s- 30s; chest voice B2-Ab4, powerful falsetto/scream up to G5; this role demands a well-rounded baritone voice that also has a super extended upper register, virtuosity coupled with sensitive musicianship a must; think James Taylor meets Steve Tyler; a true “rock star”, comfortable addressing a group of 12 or an arena of 12,000; this role does not dance but must be comfortable moving; note if you can play acoustic guitar as it is preferred for the role. Judas: Male, rock/soul tenor; 20s-30s. (E3-D4 (+); this role requires an agile and sensitive voice with access to extremely high registers across a full dynamic range; stylistically drawing a great deal from soul music, useful reference points would be Stevie Wonder/Murray Head; he is the antagonist of the show, concerned that fame is getting in the way of the message of social justice; someone who can tell a story through a melody, with exquisite diction and intonation; this role does not dance but must be comfortable moving. Mary: Female, belt mezzo; 20s –30s; (G#3-C5); a former prostitute, now follower of Jesus, grappling with her feelings and her faith; seeking singers who can communicate her solo as more than just a simple love song; this role does not dance but must be comfortable moving; drawing its influence from early 70s pop, this role requires musical simplicity and excellent phrasing; think Joni Mitchell/Carol King; no riffing required. Pilate: Male, baritone or baritenor; 30s – 40s; (A2-Bb4); a strong baritone with extended high register; think Bob Dylan, Paul McCartney, Robert Plant; a diverse musical journey through both acts requires a singer of great stillness, yet with the ability to tear the roof off in the final bars; guitar skills preferred. Annas: Male, 30s – 40s; (E3-D5); funky high rock/soul tenor, with a great flair for swing and groove; shrill, tightly wound, sadistic high priest; strong mover. Caiaphas: Male, low bass (C#2-F4); 30s - 40s; a strong bass with a baritone range; must have great feel for groove and an astonishing musical presence; should look and act very cool; strong mover.


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