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November 2, 2018

Bagaduce Theatre 2019 Season - EPA - Actors
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Region: Eastern

Seeking:HAYFEVER by Noel Coward Directed by Patricia Conolly. First rehearsal 6/4/19. Performances from 6/20/19 through 7/7/19. Performances Thursday through Saturday at 7:00pm, Sundays at 3:00pm. Seeking: Sorrel Bliss, 20's Simon Bliss - 20's Sandy Tyrell - 20's Jackie Coryton - 20's Richard Greatham - 40's _________________ THE GLASS MENAGERIE by Tennessee Williams Directed by Patricia Conolly. First rehearsal 6/25/19. Performances from 7/18/19 through 8/4/19. PerformancesThursday through Saturday at 7:00pm, Sundays at 3:00pm. Seeking: Gentleman Caller - 20's ______________ BIRD OF PASSAGE by Colby Halloran Directed by Monique Fowler. First rehearsal 8/20/19. Performances from 9/6/19 through 9/29/19. Performances Friday and Saturday at 7:00pm, Sundays at 3:00pm Seeking: Ginnie: A struggling writer, single, without family, unpublished. Ginnie has been living anywhere she can find work as a caretaker in exchange for rent. She is practical, down to earth — a woman on her own for a long time. When the play begins she has just returned from Wales and is seeking a remote sanctuary (an island off the coast of Maine) where she can write about what happened on a farm in Wales. Ginnie is open-minded, smart, impulsive, and compassionate. Ginnie is not always by choice a bird of passage.


The Who And The What - EPA - Actors
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Region: Eastern

Seeking:Afzal: Male, 55-59, Zarina and Mahwish's gregarious, larger-than-life father; he has a very noticeable Indo-Pak accent. Complex; modern sensibilities, not a stereotype, but a man of identity.


West Side Story - EPA - Singers
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Region: Eastern

Seeking:Tony: Male, 18+ to play 18; a romantic young man and former leader of the Jets; he has found a new lifestyle now and finds himself violently torn between his friendships and love; genuinely sweet and sincere; tenor. Maria: Female, 18+ to play 18; Latina; a hopeless romantic and innocent young girl; she falls in love with Tony and finds herself at the center of the violent conflict between the two gangs. Bernardo's sister; soprano. Riff: Male, 20-29, a spritely, quick-tempered leader; he seeks to eliminate the Sharks and establish his own gang’s dominance; must be an excellent contemporary dancer. Bernardo: Male, 20-29, Latino; A proud, strong, handsome man; Bernardo seeks to carve out territory as a sense of identity for he and his friends; Maria’s brother and Anita’s boyfriend; leader of the Sharks. Anita: Female, 20-29, Latina; feisty and assertive; she dispenses “older sister” advice to Maria and tries to shield her from the dangers of the gangs; Bernardo’s girlfriend and Maria’s friend. Chino: Male, 20-29, Latino; an angry and, at times, naïve Shark who turns murderous and vengeful; suitor to Maria and friend of Bernardo’s. Anybodys: Female, 18+ to play 18; a spunky tomboy who is desperate to become a member of the Jets; full of energy and heart; must be an excellent contemporary dancer. Doc: Male, 60-69, the owner of the candy story where the Jets hang out; he tries to guide the Jets youthful angst and provides a safe haven for Tony; old fashioned and wise in his ways. Schrank: Male, 50-59, a local police detective frustrated by the ongoing violence between the Jets and Sharks; blunt, brash and unapologetic. Krupke: Male, 40-49, the local beat cop; he has no patience for the gangs’ conflict and tries to keep tensions from erupting between them; regularly mocked by the local gangs. Glad Hand: Male, 30-39, overly cheerful; square. Action: Male, 18+ to play 16-20’s; member of the Jets; must be excellent contemporary dancer who sings well. A-rab: Male, 18+ to play 16-20’s; member of the Jets; must be excellent contemporary dancer who sings well. Baby John: Male, 18+ to play 16-20’s; member of the Jets; must be excellent contemporary dancer who sings well. Big Deal: Male, 18+ to play 16-20’s; member of the Jets; must be excellent contemporary dancer who sings well. Diesel: Male, 18+ to play 16-20’s; member of the Jets; must be excellent contemporary dancer who sings well. Snowboy: Male, 18+ to play 16-20’s; member of the Jets; must be excellent contemporary dancer who sings well.


Untitled Michael Jackson Musical - ECC - Dancers
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Region: Eastern

Seeking:Male Ensemble Dancers (Chorus / Ensemble): Male, 18+, characters are 20s-30s, fantastic, dynamic dancers of all ethnicities; singing is a plus. Teen Michael Jackson/Male Ensemble Dancer/Singer (Chorus / Ensemble): Male, 18-25, late teens-early 20s, great dancer, singer, and actor; portrays Michael in his late teens. Female Ensemble Dancers (Chorus / Ensemble): Female, 18+, characters are 20s-30s, fantastic, dynamic dancers of all ethnicities; singing is a plus. Female Ensemble Singers (Chorus / Ensemble): Female, 18+, characters are 20s-40s, fantastic singers of all ethnicities; to play various roles in the ensemble; should have great pop voices. Male Ensemble SIngers (Chorus / Ensemble): Male, 18+, characters are 20s-40s, fantastic singers of all ethnicities; plays various roles in the ensemble; should have great pop voices.


Uncle Vanya - EPA - Actors
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Region: Eastern

Seeking:Understudy 1: Male, 18+, to cover three roles; 60 year old professor; 60 year old educated farmer; 40 year old doctor; the professor (he/him pronouns) is a despondent after being pushed out of his job at the university which he has held for 35 years; and now finds himself in the countryside with little to do; a man full of frustrations and inner rage; attractive and authoritative; the educated farmer (Vanya, he/him pronouns) has given up all personal ambition to take care of the farm and provide a living for others; recently he has questioned this, and now is full of resentment and self-doubt; the doctor (he/him pronouns) is a man worn down by ten years of doctoring the sick in hopeless conditions; exhausted but still with a flicker of hope that he can do good works. Understudy 2: Female, 18+, to cover two roles: 60 year old former nanny and 70 year old mother of Vanya; the nanny (she/her pronouns) is the hearth of the household; she holds everything together; others come to talk to her; when no one can get the professor to do something, she can; a quiet force; the mother (she/her pronouns) has lived her life in the world of ideas and books, and blinded herself to the problems of her children and family; aloof and distant.


Once On This Island - ECC - Dancers
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Region: Eastern

Seeking:[MALE STORYTELLER/ARMAND] Male, African-American, 40s – 50s. Featured in the ensemble with many step-out moments and solo lines. Plays ARMAND (The ancestor) and MONSIEUR BEAUXHOMME (Daniel’s stern father. Reminds Daniel of the harsh realities of life. Not deliberately cruel, but determined. Represents the heart of aristocratic society). Understudies the principal roles of TONTON JULIAN (Ti Moune’s adoptive father. “Tonton” is a French affectionate term for “Uncle.” Described as an “old peasant.” He teaches Ti Moune that love has no limits, and he goes to great lengths to support her wishes. Caring, loving, and practical) and AGWE (God of Water. A mentor to Ti Moune. Larger than life, mysterious. Perhaps the peasants' greatest fear next to Papa Ge himself. Commanding voice and presence). Strong bass/baritone. Strong musician skills. Strong dancer. ENSEMBLE [MALE STORYTELLER 1] Male, African-American, 20s – 40s. Featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of PAPA GE (God of Death. Antagonist to the other gods. Sly, cunning, manipulative, seductive, cynical, and teasing, he is feared by the people because of what he represents: the unknown that is death. The other main instigator of the drama). Strong tenor. Strong musician skills. Strong dancer. ENSEMBLE [MALE STORYTELLER 2] Male, African-American, 20s – 30s. Featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of DANIEL (Ti Moune's love interest. A handsome, aristocratic young man who struggles with crossing social barriers. Sensitive and poetic). Strong tenor or baritenor. Strong musician skills. Strong dancer. ENSEMBLE [FEMALE STORYTELLER/ANDREA] Female, African-American, 20s. Featured in the ensemble with many step-out moments and solo lines. Daniel’s betrothed. An attractive, elegant, and refined young woman. She seems cold at first but turns out to be both humane and determined. She pities Ti Moune, but despite having little affection for Daniel, she will not allow sentiment to interfere with her well-ordered plan for marriage and the aristocratic ways. Also understudies the principal role of TI MOUNE (A beautifully spirited peasant girl, full of restless energy and optimism. The heroine. Tries to break social barriers to be with her love, Daniel). Strong mezzo. Strong musician skills. Strong dancer. ENSEMBLE [FEMALE STORYTELLER 1] Female, African-American, 20s – 30s. Featured in the ensemble with many step-out moments and solo lines. Understudies the principal role of ERZULIE (Goddess of Love. A mentor to Ti Moune and foil to Papa Ge. The most approachable of the gods, but ultimately no less egocentric. One of the main instigators of the events of the story, she is looked upon fondly by the people. Set out to prove that love is stronger than the fear of death—by love, she means the power of the human heart) and the ensemble specialty of ANDREA (Daniel’s betrothed. An attractive, elegant, and refined young woman. She seems cold at first but turns out to be both humane and determined. She pities Ti Moune, but despite having little affection for Daniel, she will not allow sentiment to interfere with her wellordered plan for marriage and the aristocratic ways). Strong soprano. Strong musician skills. Strong dancer. ENSEMBLE [FEMALE STORYTELLER 2] Female, African-American, 30s – 40s. Featured in the ensemble with many step-out moments and solo lines. Understudies the principal roles of MAMA EURALIE (Ti Moune’s adoptive mother. Described as an “old peasant.” Caring, over-protective, superstitious, fiercely loving, and strong-willed, her similarities often lead to clashes with Ti Moune) and ERZULIE (Goddess of Love. A mentor to Ti Moune and foil to Papa Ge. The most approachable of the gods, but ultimately no less egocentric. One of the main instigators of the events of the story, she is looked upon fondly by the people. Set out to prove that love is stronger than the fear of death—by love, she means the power of the human heart). Strong mezzo. Strong musician skills. Strong dancer. ENSEMBLE [MALE SWING 1] Male, African-American, 20s. Understudies Storytellers and the principal role of DANIEL (Ti Moune's love interest. A handsome, aristocratic young man who struggles with crossing social barriers. Sensitive and poetic). Strong tenor. Strong musician skills. Strong dancer. ENSEMBLE [MALE SWING 2] Male, African-American, 30s – 40s. Understudies STORYTELLERS and the principal roles of TONTON JULIAN (Ti Moune’s adoptive father. “Tonton” is a French affectionate term for “Uncle.” Described as an “old peasant.” He teaches Ti Moune that love has no limits, and he goes to great lengths to support her wishes. Caring, loving, and practical), AGWE (God of Water. A mentor to Ti Moune. Larger than life, mysterious. Perhaps the peasants' greatest fear next to Papa Ge himself. Commanding voice and presence), and PAPA GE (God of Death. Antagonist to the other gods. Sly, cunning, manipulative, seductive, cynical, and teasing, he is feared by the people because of what he represents: the unknown that is death. The other main instigator of the drama). Strong baritenor or tenor. Strong musician skills. Strong dancer. ENSEMBLE [FEMALE SWING 1] Female, African-American, 20s. Understudies Storytellers and the principal roles of TI MOUNE (A beautifully spirited peasant girl, full of restless energy and optimism. The heroine. Tries to break social barriers to be with her love, Daniel) and ASAKA (Mother of the Earth. A mentor to Ti Moune. Personifies the peasants’ connection to the land. She is generous and good-humored on the surface, but like all the gods feared by the islanders; her “motherly” facade is not to be trusted. She is powerful, funny, and ironic). Strong mezzo. Strong musician skills. Strong dancer. ENSEMBLE [FEMALE SWING 2] Female, African-American, 30s – 40s. Understudies Storytellers and the principal roles of MAMA EURALIE (Ti Moune’s adoptive mother. Described as an “old peasant.” Caring, over-protective, superstitious, fiercely loving, and strong-willed, her similarities often lead to clashes with Ti Moune) and ASAKA (Mother of the Earth. A mentor to Ti Moune. Personifies the peasants’ connection to the land. She is generous and good-humored on the surface, but like all the gods feared by the islanders; her “motherly” facade is not to be trusted. She is powerful, funny, and ironic). Strong soprano with belt. Strong musician skills. Strong dancer. ENSEMBLE


APPOINTMENTS - Red Maple - Actors
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Region: Eastern

Seeking:Robert: Male, 18+, 50s; college professor facing retirement; he’s gone off the rails trying to navigate his looming retirement; a searcher his whole life, usually overly intellectual and rational, now super enthusiastic and energized by what he believes is a solution to his problems. Karen: Female, 18+, late 40s-early 50s; attractive, suburban, smart, happily married; tries to do the right thing; loyal friend; resourceful in a pinch and surprisingly ruthless; not used to stepping outside her comfort zone, but when she does, she’s very funny. Stephanie: Female, 18+, late 40s-late 50s; sassy, attractive; sophisticated career woman – buyer at Saks; acerbic wit; takes her husband for granted until now; when pushed, she pushes back. Protective to a fault and feisty under pressure; versatile comedienne. Jennifer/Teresa: Female, 18+, late 20s-30s; disarmingly charming and completely innocent façade; underneath lurks the heart of an assassin – well, maybe; this former elementary school teacher, single mom has taken a job as a hitman to make ends meet and comes to the party in the guise of a realtor; very funny comedienne.


APPOINTMENTS - Beauty & the Beast - Singers
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Region: Eastern

Seeking:Belle (Lead): Female, 24-30, a vibrant, intelligent girl with beauty, who wants more out of life than an ordinary existence. She is optimistic, fun-loving, caring, and eager to experience life. Age: 20 to 30; Vocal range: E3-F5 (belt). Beast (Lead): Male, 25-35, a Prince transformed into a terrifying beast, as punishment for his lack of compassion. He is hot-tempered and commanding, but has a warm, loving heart buried far beneath his gruff exterior. Age: 25 to 35; Vocal range: A2- F4 (belt) Gaston (Lead): Male, 25-35, the egotistical, ultra-masculine villain determined to marry Belle. He is manipulative yet charming and earnest. Should be in great shape. Age: 25 to 35; Vocal range: A2-E4. Maurice (Supporting): Male, 50-65, Belle's loving, eccentric father. A child at heart and inventor in his own world. Age: 50 to 65; Vocal range: Bb2- Db4. Cogsworth (Supporting): Male, 40-50, a tightly-wound, enchanted mantle clock and the head of the Beast's household. He is uptight, strict, and punctual but also hard-working, faithful, and thorough. Great character actor. Age: 40 to 55; Vocal range: A2-E4 Lumiere (Supporting): Male, 30-45, a suave, debonair enchanted candelabra. He is a loyal and steadfast servant. Age: 30 to 45; Vocal range: F#2- F#4. Mrs. Potts (Supporting): Female, 40-50, A warm-hearted, maternal enchanted teapot. She is loyal, caring, and playful. Gender: Female, Age: 40 to 55 Vocal range: F#3-G5 Babette (Supporting): Female, 25-35, a saucy, enchanted feather-duster, and the object of Lumiere's affections. She is the playful, gorgeous, seductive French maid. Age: 25 to 35; Vocal range: C4-F5. Madame De La Grande Bouche (Supporting): Female, 40-50, a former opera diva-turned-enchanted wardrobe. She has a caring, refined, larger than life personality. Age: 40 to 55; Vocal range: C#4-D5. Lefou (Supporting): Male, 23-30, Gaston's bumbling sidekick. He is loyal, energetic, and optimistic, but not quite the brightest guy. Age: 25 to 30; Vocal range top: B2-F#4. Monsieur D'arque (Supporting): Male, 30-44, the scheming proprietor of the local insane asylum. He is a dark, sinister villain who aides Gaston in his plot to marry Belle. Age: 30 to 50; Vocal range top: D3-A4. Note: This role will also be in the ensemble numbers throughout the show. Chip (Supporting): Male, 7-12, an enchanted teacup and Mrs. Potts' darling little boy. He is innocent, playful, and bright-eyed. Age: 7 to 10; Vocal range top: A3-F5. Note: This is an unpaid role and will be double cast. Ensemble (Chorus / Ensemble): Males & Females, ages: 23-50. Great singers, dancers and character actors. 3 silly girls; Wolves; Enchanted Objects; Townspeople.


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